Tuesday, November 15, 2016

November 5, 2016

This day turned into one more of conversation about plans than playing, but that's how it goes when you're in transition. Sam (bass, trumpet), Jack D (trumpet), Jack K (trumpet, drums), Steve H (alto) and Wes (tenor) were present in by noon.

Sam thought he'd really workshop us by bringing in several off-book (i.e., off-Real Book) songs, all in concert key so that we would have to transpose. We started with Hoagy Carmichael's New Orleans. After struggling our way through that--it really is a decent tune--Jack D requested Beautiful Love (I-40). Yours truly always wanted to play the lovely Johnny Hodges vehicle, Ellington's Warm Valley (II-412); it was worth the effort. Jack K wanted to play some trumpet after time on the skins, so he chose My Foolish Heart (I-286), and I tapped out a beat on the hi hat. Sam had another tune, another 1920's bit called Melancholy, which we gave a solid try. At this point, Sam and the Jacks had to pull up stakes. Wes and I played through Donna Lee a few times. Annie and Carl arrived just in time to find the rhythm section on the way out the door, so we did not continue.

Participant Picks

New Orleans (Hoagy Carmichael)
Two very different versions. That’s Art Pepper playing alto on the first one, but Hoagy himself on the vocal.
The second more as you expect it—and yet not—from Al Hirt.

Hornheads Five Heads Are Better Than One


Warm Valley (Johnny Hodges)

Enjoy!

--SJH

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